jen schierl

Jen Schierl is a self-taught photographer currently plying her trade in Beer City. Several years ago, friends encouraged her to shoot the urban decay of the old Pabst Brewery buildings before they were turned into luxury condos. Her shots were so well received, that she actually made the time to publish her early work in the memorable Stainless Steel Lens #1. Since those days, she has continued to find inspiration in the everyday. Working with a variety of supplies (Holga, digital, 35mm, Polaroid, pinhole), Jen's photos strive to document a moment of history before decay is pushed out to make room for newer tenents. Most recently, Jen's Holga photos took Honorable Mention at the MKESTMKE exhibit at the Milwaukee Art Museum. She has launched her own webspace at Gin is My Discoball. She hopes to publish Stainless Steel Lens #2, a collection of her Holga photographs, in early 2008.

selene lennox

Selene is a filmmaker/ actress/ musician/ visual artist, currently based in the UK. She takes photographs that capture the squalor and beauty of London -- from awkward skylines, to scraps of trash that we humans disregard.Photography tells the story of our lives, of fleeting moments left behind in time.

ben gulyas

Ben Gulyas takes pickshures of the stuff he sees mostly when he is looking down at the ground. Or once he has fallen on his face and rolls over to see in the sky. Always Either/Or with him. But then a genius rarely sits on any fence long, before jumping or tumbling off.

Miranda Wieck

Miranda The Bastard is a teenage vagabond living somewhere in the intestines of the midwest. She enjoys photography, writing, and anything that helps her earn pretentious points. She would probably hate you.

kelly t

Kelly redefines the self-portrait by utilizing webcam technology and rudimentary photoshop effects to subvert and distort the broadcast sense of appearance as a means of generating attraction and personality. By stopping the webcam stream of images, to freeze a single frame; by mocking the fetishism of dress and make up; by disrupting the grain of the image, Kelly’s images redesign banalities into something more perverse and honest in intent and meaning. These images need to be looked at, closely, with squinted eyes.